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Art history Contemporary Art in China Creative journal Culture issues

Another Shock! – If you invite me, why should I bring an army?

Another Shock!
If you invite me, why should I bring an army?

This year, when the YBA show was held in Guangzhou, with the aim of encouraging Young Chinese Artists to be more creative and groundbreaking, one may sense the new Cultural imperialism is coming in by the back door. According to the Chinese website China.org.cn One of the aims of this show is to help Chinese audience to improve their understanding and taste towards contemporary art. I feel it’s questionable to accept this statement. I am considering how people in china judge contemporary art. What can be considered as a great piece of art should be based on different cultures and different esthetic evaluations. People from different culture background might have different appreciations of art. it is important to be acquainted with the YBA show but it should not be seen as a standard of judging what is the best Contemporary art. Different philosophical and develop mental environment provides different creative mentalities of producing artworks. It seems that creating one aesthetic principle for the entire world – cannot be accepted. The ‘Aftershock’ provides a great opportunity in presenting a standard western viewpoint of contemporary art to Chinese people. However, its didactic function should be considered again. Any kinds of art can be based on its historical milieu, and constructed through its unique authenticity. There should not be a hierarchy established among contemporary art practice. It is true that the YBA generation had its significant role at the end of the last century, and the artists are still active among today’s art practice in the UK. Like many other conceptual artists in China (such as Ai Weiwei and Qiu Zhijie), the various thoughts and concerns within their art have been thinking through different spiritualities.

To be continued…

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